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Khthon - "Above The Fog EP" ...

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Strange but true: the first Khthon’s EP "Songs On The Grave Side" which was released in 2009 and consisted only of four songs capitally ingrained in my brain and I listen it so far even after hearing a damned lot of other doom bands. That’s why I still watch British scene with bated breath and wait for full-length doom-feast in Kent, yet as the band works onto their first full-length album let me remind you about their brief (only two songs) EP “Above The Fog” which has seen the light about year ago. Well, you may ask me if it really should to rock the boat because of only two tracks? Yes, I had no chance but to spread a word of Khthon and let that name became for you synonym to a term “Epic English Doom”. And let me to remind you that there’s nothing "chthonic" and "infernal" despite the name in this EP, for gentlemen continue to write melodic heavy doom metal with clean vocals and melancholic lyrics, and I hasten to inform you that they still do it masterfully and from their hearts.

The first song, "Look Where She Lies" is a kind of continuation of great composition "Asleep On Her Grave" from EP "Songs On The Grave Side”, it reveals new details of that story not only with lyrics but also with more saturated instrumental parts and arrangements. Hats off – new stuff sounds skillfully, intriguingly and very attractive for fans of qualitative traditional doom metal with it’s famous epic and melancholic vibe. And yet it doesn’t have overabundance of pathos, but I would point out the elements of a stoic heroism and restrained grief. Kevin Lawry got a lot of experience while was playing guitar in Silent Winter and Crowned In Earth, so he perfectly copes with assigned duties creating atmosphere of god-forsaken corners of Albion, vocal lines of Adam Robinson didn’t lost their gloomy solemnity and power as he chants and declaim his poetic verses. This composition keeps a perfect spirit of “English doom” as it should be, so I see this track as a good expression of that grim and austere beauty due to ideal teamwork of band’s crew. And so Khthon passes from moderate mourning of first track straight to mid-tempo mystical opus "The Wanderer Above The Sea of ​​Fog" which music and lyrics were written under the impression of the painting by German artist Caspar David Friedrich. Doom metal traditions sound aloud all through entire track, and I couldn’t imagine if something like this may be born outside England, yes, old good England (if it ever existed) is embodied in this song as if it was the birthplace of true doom metal. Guitars have less ponderous, yet more dynamical and quite progressive vibe, and misty sound-scape of Khthon looks haunting and tempting, but here we have one serious problem - that is last song onto album.

Duration of "Above The Fog" is the only negative aspect of release, but when you take into account the information that band are sitting tight in the studio, modifying the material for their first full-length album, it is hoped that this time they will make out quickly and keep their current mood. Both songs are so damn good, that all I could wish for, it's a real big release from Khthon. Listening Khthon I feel a strong need to get out in a park with book of Samuel Coleridge’s poems and a bottle of St.Peter’s ale. Yet there’s only last bottle of rum in my bar, well, it’s a good option too. Good night!

Words: Aleks Evdokimov

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